Monday, September 30, 2013

When his parents were killed millionaire playboy Bruce Wayne relocates to Asia when he is mentored by Henri Ducard and Ras Al Ghul in how to fight evil. When learning about the plan to wipe out evil in Gotham City by Ducard Bruce prevents this plan from getting any further and heads back to his home. Back in his original surroundings Bruce adopts the image of a bat to strike fear into the criminals and the corrupt as the icon known as Batman. But it doesnt stay quiet for long.

Review

It sickened me in the past to see the Batman movie franchise slowly digging its way to an early grave. After the quality Tim Burton films the series pretty much went down the toilet beginning a horrifically campy age of Bat creditcards and an armored Arnold Schwarzenegger tossing cringeworthy puns at a Batman who seemed to be trying not to be embarrassed by the fact that his costume had nipples. So what could Warner Brothers producers hope to do to resurrect the franchise Pretend it never happened and start the whole series over again with a talented director compelling story and capable cast.

Enter Christopher Nolan the mastermind behind 2000s Momento widely praised as one of the most innovative films of the decade. As directorco screenwriter Nolan creates a richly dark atmospheric world for Batman to inhabit similar to that of the Burton films but less cartoony. The films screenplay written by Nolan and David S. Goyer is quality stuff its true that some of the dialog exchanges can seem kind of contrived particularly between Wayne and Liam Neesons character Ducard but it sounds so classy you tend not to care.

Nolan also puts a lot of trust in his audiences to stay put while the first hour of the film comprehensively explores Bruce Waynes backstory with no cape donning and few fight sequences. Nevertheless the pace never slows and the story is so unexpected and fascinating (who would have expected a Batman film to begin in a prison in Tibet only Nolan could pull it off!) theres little chance of us losing interest. And this way we really get a sense of who Bruce Wayne is a trait none of the past movies were able to capture including the Burton films. We see what drives him what leads him to become this iconic crime fighter and the reasoning behind the mask.

Of course to help the audience get under Bruce Waynes skin it doesnt hurt to have such a talented lead as Christian Bale. Bale has been emerging as one of the most talented actors of his generation and he brings that talent to a peak here playing the darkest of all superheroes. If you were to break down the role of BatmanBruce Wayne you would find that it is essentially three characters Wayne as Batman behind the mask Waynes public facade as the billionaire playboy and the real brooding Bruce Wayne. Bale plays all three of the characters to absolute perfection and molds them together well enough to make it clear to show they are still the same person. He has been given tons of accolades for his performance already and needless to say he deserves every one.

And the sheer quality of the supporting cast is mindboggling if for the number of big names only. Its very hard to find a weak spot in the incredibly strong array of performances here but if one had to be found it would have to be Katie Holmes. Its not that she gives a bad performance on the contrary but just she seems too young to be convincing as a district attorney. For me Michael Gough will always be the definitive Alfred but Michael Caine does an excellent job of taking over the role giving a very strong (and often funny) performance. Liam Neeson is sheer class as Ducard Waynes mysterious mentor as is Morgan Freeman as Lucius Fox Waynes arms manufacturer and provider of the Batman gear. Its wonderful to see the incredibly talented and much underrated Gary Oldman as Sgt. Gordon the only decent cop in Gotham and he truly makes the role his own. Even cult favorite Rutger Hauer makes an appearance as Richard Earle the ambitious head of Wayne Enterprises. And (surprise surprise!) the villains are also actually menacing for once as opposed to cartoony and corny. Cillian Murphy just about walks away with the show as the truly chilling Scarecrow (the sequences involving his fear gas are surprisingly frightening) Ken Watanabe is mysterious and creepy as guild leader Ras Al Ghul and Tom Wilkinson is very convincing as Carmine Falcone head of the Gotham city mob.

Nolans knack for realism also comes as a breath of fresh air in this age of CGI bloated blockbusters there are next to no computer generated shots in the movie even a sequence with Batman standing on top of a high building staring down at the city was filmed with a stuntman. And it really works the Batmobile actually interacts with its environment and looks so much better real than computer generated. But dont think that the film will come across as too serious and stuffy because of Nolans realism true Gotham seems too dark and dirty to come across as a fantasy world but Batman Begins retains that unmistakable sense of fun that seems to only be present in comic book movies. We jeer and fear the villains and cheer the hero as he lays his life on the line to vanquish evil and save the city. And that is how it should be. Theres even a surprising twist near the end which is doubly surprising because it actually comes as a shock. Whats not to love here

(and further cudos to director Nolan for finally managing to make a swarm of bats actually frightening for once)

Overall Id have to label Batman Begins The must see movie of the summer its a well written authoritatively directed impeccably acted (especially by Bales powerhouse lead performance and Cillian Murphys sickly menacing Scarecrow) and very high quality production. Indeed most other summer blockbusters could learn a thing or two from Batman Begins. If the Batman franchise died under its own gaudiness years ago let us rejoice this glorious rebirth Batman truly does begin here.

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